A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.

A young divorcée becomes involved with her widowed boss.

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

Tensions mount in an Andalusia mining town between local Spanish workers and their British employers.

A retired union leader runs a restaurant by the highway with the help of his wife and his young son. One day a wounded criminal, his lover and his brother, all fugitives from law and being pursued by the woman's husband, forcefully seek out a hiding place. They take the family hostage until the delinquents are confronted.

The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.

A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.

The Atlas Mountains is a film about Helen Thomas, an unhappily married woman, while spending Christmas alone at home, forms a brief yet passionate relationship with Tarik El Bez, a quiet immigrant worker who comes to fix her computer on a cold December night. Trapped in a small living room, the two loners find themselves engaging in a gentle struggle between intimacy and privacy.